5 Reasons to Volunteer at VisArts

with Emily Fox, VCU class of 2013

Over the last few months I have been volunteering some of my time to help around at VisArts.  Like all new experiences, volunteering here has taught me a few things about The Visual Arts Center of Richmond and volunteering.

Here are five things you might get out of volunteering at VisArts:

 1. Meet new people

At school or at work you’re generally surrounded by people like you, who have similar interests and similar motivators.  Volunteering at the Visual Arts Center of Richmond you get a chance to meet a diverse group of people who have had different experiences than you. Volunteering here has given me the chance to get to know people who I would not normally cross paths with. At Craft +Design Show I worked with a woman who was much older than I and had some stories to tell.  It was refreshing to talk to her and get a different perspective on daily observations.  Volunteering gave me the opportunity to learn something new from her and the other volunteers who, although being very different from each other, have all been driven to creativity and the want to help others be creative.

2. Help the Community

Volunteering at VisArts is a great reminder that it is a non-profit and a lot of things cannot be done without the help of volunteers.  For the most part all the work that I have done at VisArts has been in the background, in the office, but even though I am not directly working with the children in the outreach programs, I can see how my work is making a difference. It might just be office work but I can see how even a volunteer at VisArts becomes a part of the team working toward the end goal of giving children a safe place to express themselves.

3. Get to know VisArts

Volunteering at VisArts has given me a chance to really get to know the place and the people here and learn more about the good work they do for others in our community.  While volunteering at the Craft + Design Show, I was able to walk through the exhibits of artists from around the country and from right here in Richmond. I was able to see some of the amazing work from the VisArts’ instructors; a sampling of what they teach in their classes, and I was really inspired by their work.  Getting a taste of VisArts by volunteering at an event showed me what can be created here and has inspired me to take a class.

 4. Stay Busy

Every now and then I have some free time to spare, when relaxing I often feel that I could probably be doing something better with this free time.  Volunteering at VisArts is a great way for me to feel productive when I have some down time.  It keeps me busy but without all the stress that can come from school or work. It gives me a chance to think about something else other than school and a time to get to know new people; it’s a chance for me to feel productive where I know the help is needed.

5. Gain Experience

As a soon-to-be college graduate, I am often told that having ‘previous experience’ will really help out when entering the job market. Volunteering with VisArts to work on event flyers, the website and social media has given me the experience I need when applying to jobs in the future.

I recommend volunteering at VisArts to anyone wanting a fun, stress-free way to support your community and the arts while enjoying the company of a diverse group of people in a vibrant environment.

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Emily Fox is a senior at Virginia Commonwealth University studying Mass Communications with a concentration in Public Relations. She has been volunteering and interning at VisArts since September.

 

 

 

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Classes that Landed on Emily’s Bucket List

1. Introduction to black & white darkroom photography

2. Introduction to letterpress printing

3. Adobe photoshop, illustrator, and indesign- creative combination

Studio Glass Movement . . . from Factory to VisArts

Jude Schlotzhauer has a very storied relationship with the studio glass movement that traces its roots back to the very beginning with its founder, Harvey Littleton.

Schlotzhauer has been associated with VisArts for more than 30 years and has taught glass here for the better part of the last decade. As a student, she studied glasswork near the factory where Littleton would blow glass, and that community of artists all spent a lot of time together.   She came to know Littleton and his work. “Harvey was so friendly, open and inclusive—just a wonderful guy.  He was always interested in what the students were doing with glasswork,” said Schlotzhauer.

Littleton was born and raised in Corning, New York, the son of the physicist who developed Pyrex for Corning Glass Works. Littleton initially followed in his father’s footsteps, studying physics and industrial design, before he ultimately earned a Master of Fine Arts in ceramics from the Cranbrook Academy of Art. Littleton taught ceramics at the University of Wisconsin-Madison and later established the first studio glass curriculum in the United States.

“Harvey started with this one class, and he built a little furnace for it.  It was the first time anyone had taught glassworking outside of the factory.  It had been confined to the factory, and Harvey put it in the University setting,” said Schlotzhauer.  Many of Littleton’s first students in the glass program at Wisconsin—Dale Chihuly, Fritz Dreisbach, Sam Herman, Kent Ipsen, Marvin Lipofsky, Tom McGlauchlin, Christopher Ries, and Michael Taylor—became leaders in the studio glass movement, inspiring and educating the next generation of glassmakers across the country and around the world.

Dale Chihuly remembers making glass with Littleton, “Harvey had seminars for us every week and we learned so much about how the art world works and what it was like to be an artist.  Harvey encouraged us to do whatever we felt we needed to do.  The thing I appreciate about Harvey is that from the start, he was interested in making glass without molds and with as few tools as possible.”

Schlotzhauer received her MFA under the training of another of Littleton’s student, Kent Ipsen, who was a much-respected glass instructor at VCU for many years.  “Kent built a furnace behind the president’s house and started teaching a glass class.  His teaching methods were very similar to Harvey’s.  We built our own equipment.  We blew our own glass.  We experimented!  It was a very open, experimental environment,“ said Schlothauer. “All this affected me greatly, I have that same attitude. I am always pushing the boundaries, and I always encourage my students to do the same.”

Schlotzhauer’s student, Deborah Bass, can’t get enough of the experimenting.  She’s taken Schlotzhauer’s class at VisArts for more than five years and loves the versatility of the medium and how light intersects and plays off of it.  “The only limitation is your imagination,” Bass shared.

It’s fair to say that Littleton has inspired countless glass artists since he first brought glass out of the factory 50 years ago.  “He is without a doubt the father of the studio glass movement,” said Chihuly.

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Littleton’s work is in the collections of museums worldwide, including the Metropolitan Museum of Art, Museum of Modern Art, Corning Museum of Glass, Museum of Arts & Design, Smithsonian American Art Museum, and the Victoria and Albert Museum in London.

November 9 – January 21, Visual Arts Center of Richmond proudly presents work spanning five decades of Littleton’s momentous career. This exhibition celebrates the 50th anniversary of the American studio glass movement and Littleton’s remarkable legacy as one of the leading artistic innovators and visionary educators of the 20th century.

November 9, 6 – 9PM will be the opening reception for Harvey K. Littleton:  A Legacy in Glass.  Come see this fabulous exhibit!  VisArts Instructor Ryan Gothrup will be glassblowing in the courtyard.

Inspired by all the glass in town?  VisArts offers classes to quench your creative thirst!  Check them out at visarts.org!

 

It Takes a Village

with Caroline Wright, Director of Exhibition Programming

Our exhibitions focus on innovative materials and processes—an appropriate mission for a gallery surrounded by studio classrooms where students learn many ways to make art.   This month massive weavings by Richmond artist Andrea Donnelly fill the True F. Luck Gallery, inspiring visitors of all ages. We’ve been planning for over a year to create the installation and educational materials for this exhibition (on view through Sunday, October 21).  Meet the team of local, creative talent that joined forces with me to present ANDREA DONNELLY: Where We Meet.

the artist

Andrea Donnelly is a 2010 graduate of VCU’s Craft/Material Studies (Fiber) department.  Her labor intensive process involves dying her fibers and hand painting patterns and images on the warp (perpendicular threads) before weaving the cloth.  In addition to exhibiting her work in our gallery, Andrea will also have a booth at our upcoming Craft+Design Show where she will sell luxurious handmade scarves she creates for her small business, Little Fool Textiles.   Learn more about Andrea’s work at andreadonnelly.com

 the filmmaker

Harrison Moenich, a recent VCU graduate, created the documentary film that accompanies this exhibition.  He shot the film in Andrea’s studio on Cary Street as she made two works for our exhibition. Watch the film here to learn more about Donnelly’s innovative approaches to weaving:

 Learn more about Harrison and his work at cargocollective.com/moenich

the photographer

David Hunter Hale, also a VCU graduate, photographed Donnelly in her studio over the summer months to capture in detail Donnelly’s extensive process.  His photographs (including the installation shot above) appear in the printed adult and youth gallery guides and press materials.  See more of David’s work at davidhunterhale.com

 

the designers

Scout Design created all of the print materials for this exhibition—the invitation, the gallery guide for adults, and the Engage guide for children.  Owners/designers Angeline Robertson and Charley Foley have transformed our gallery collateral over the past year.  Learn more about Scout Design at stateofscout.com/index-previous.html

 

the installation crew

Last week the VMFA posted on our Facebook page “this installation is dreamlike.”  We agree.  Robert Barrientes, our Exhibitions Manager, built a custom platform and hanging shelf for Peer, hanging equipment for The Veiling I, II, and III and Body Blot #3, and the curved ENGAGE hands-on station.  Donnelly spent weeks in the gallery hanging, sewing seams, and steaming the installation to perfection alongside the skilled and helpful hands of Colleen Freeman, Jordan Matthews, Emilie Mulcahey, Meg Roberts, and Nicki Stein.


image: Peer, 2012, handwoven cotton, dyed and painted with dye, 144” x 204”

As a community art center, we’re grateful for the community of artists who help us present educational exhibitions to the public.  As the gallery director, I’m grateful for this team I’m lucky to work with time and time again.  Stop by to see our collective effort. Visit ANDREA DONNELLY: Where We Meet before it closes on Sunday, October 21


VisArts’ True F. Luck Gallery is free to the public and open seven days a week: Monday – Friday from 9AM to 9PM, Saturday from 10AM – 4 PM and Sunday from 1PM – 4PM.   We offer educational opportunities through our gallery for adults and for children.  Learn more at visarts.org/exhibitions

Kids say the darndest things

Well, they write them, too.

We regularly offer a book for visitor comments outside our True F. Luck Gallery. The Oscar Munoz exhibition has prompted responses from guests of all ages. Here’s a sampling:

From college students:

A beautiful depiction of life and death, a concept I aspire to get to the heart of every day though my own work. — Melissa

So beautiful, the most successful work I’ve seen dealing with the topic of memory  — Elise

Using the table tops as screens for installing the videos was such a smart idea – really involves the viewer — Caitlin

From elementary-school kids:

I like sink art – Jacob

I like the dark room* and the movie of the man – Isabella

It is awesome and I like when the man drew the face – Jerzzee

I like when Oscar painted on the concreek [sic] – Phoebe

From other visitors:

Beautifully installed and a perfect start to a day that includes a tour of Hollywood Cemetery. Real substance! – Clare

The beauty of the ephemeral . . . well curated and wonderfully displayed, especially the charcoal on water portraits. – Nikki

Extremely well put together, the best thing I’ve seen since living here — Megan

*The small groups from Central Montessori School have also visited our upstairs darkroom for black-and-white photography, so several youngsters commented on that!