5 Reasons to Heart (and take) Art Appreciation

1. Travel
This summer, VisArts is once again offering “Art of Italy” and, new to the line-up, “Art of Paris.”  These week-long classes are unique opportunities to explore the art, architecture, and design that define these cultures, from the Uffizi Gallery and the Trevi Fountain to the Louvre and the Eiffel Tower.  The last day of each class takes us on a guided tour of the Italian and Parisian masterpieces in the permanent collection of the Virginia Museum of Fine Arts.  Save the time and expense of a summer trip to Europe and “travel” to Italy and Paris right here in Richmond! 

2. Astute Observations
As we view art, we slow our looking, engage our minds, and simply observe what is in front of us.  Class participants continually say “I never knew what to look for before” or “now I know what to see” – sentiments alluding to the ever-important skill of observation (certainly necessary for the 21st century digital age).

3. Intriguing Conversations
Art gives us lots of fodder for conversation.  And these classes are not your grandmother’s long lectures in a dark classroom!  A variety of media and small class size leads to especially interesting responses and interactive conversations. We share ideas, pose questions, partake in gallery talks, and answer that ubiquitous query of art appreciation: what am I looking at?!

4. Escape Artistry
Like all classes at VisArts, art appreciation classes provide a much-needed escape from our daily lives. We escape into the art itself to ruminate about the smile of the woman in the portrait or the brushstroke in the upper left corner.  Ringing phones are silenced and laundry loads are delayed as we quiet our chaos and simply focus on the art on view.

5. Rut-Breaking
For those who have hit a wall creatively, emotionally, or otherwise, art appreciation is the cure!  Through these classes, we see what has been created, what methods and materials employed, what boundaries pushed, and what beauty brought into our world thanks to artists.  Just as it has for centuries, art inspires and motivates those who take the time to see it.

Take a look at VisArts’ summer classes on creativity & personal development. Study the Art of Italy and the Art of Paris with Margaret! 

Based in Richmond, Virginia, Margaret Hancock Studio provides curatorial and educational services throughout the Southeast. She holds a Master of Education from the University of Virginia and a Bachelor of Arts in Art History from Duke University. Margaret teaches Art Appreciation classes at VisArts.

5 Ways to Keep Your Creative Juices Flowing

By VisArts’ Volunteer Reggie Trimiew

1.  Get an Outside Opinion
I do a number of things whenever I have no clue where to find inspiration for my next project or how to finish up a current project. One thing I do is reach out to somebody who is not a graphic design or photographer. This might sound illogical, but from experience this has proven to be surprisingly insightful. The person you ask may share an idea that consequently takes your project to the next level. Or better yet, is the final piece to your creative puzzle. Overall, you benefit when you obtain as many perspectives as possible, it ultimately makes yours work more informed.

2. Listen to Alpha Wave Binaural Beats
If you aren’t already familiar, binaural beats are sounds that were created to match and induce your 4 common brain wave frequencies.  In particular, alpha binaural beats induce a heightened level of creativity and relaxation.  Which makes listening to alpha wave binaural sounds another remedy for your lack-o-creativity. Take a moment to reflect about the countless times a brilliant idea seemed drop from the sky into your head while you were in the shower or driving down the street.  At those very moments you brain was in “alpha state.”

3. Let it Flow
As a creative, you go through the cycles when your creative juices are overflowing and times when you’re in a dry spell.  An unorthodox remedy for the shortage of creativity can come from plain ol’ patience. You may have the tendency to press and force ideas past your creative block, but each push seems to be met with just as much resistance. So, be patient and let it flow. Just know that your next surge of creativity will find its way back into your mind.

4. Find What Works for You and Stick with It
As I mentioned in the previous tip, you have to trust that your creativity will find its way back into your mind. With that being said, if you already have a creative process that has led you to creative gold, then don’t change it just because a new idea doesn’t show up as soon as you would like.  The old adage of, “If it’s not broken, don’t fix it,” rings true. If you haven’t tailored creative process yet, then take the time to experiment, by subtracting and adding steps that help channel your best work.

5.  Study the Greats
There is a reason why there are people who are simply great or extraordinary at their profession. Research the artists and musicians who inspire you, like Michael Jackson or Kaws. This strategy can be added to your process regardless if it’s painting, graphic design, photography, etc.   I’m a graphic artist and I applied this strategy to my process. My way of studying the great ones has been a combination of watching interviews and documentaries. These two mediums have provided me with invaluable insight into the nuances and intricacies of these people.

How do you get your creative juices flowing?  Do you have a special place?  A routine?  A person?  Go-to music or authors?  We’d love to hear from you!

Check out VisArts’ summer classes on creativity & personal development.  Study the Art of Italy, Art of Paris,  Learn to Follow Your Bliss or get your Creative Spark fired up!

Reggie Trimiew is a graphic artist from Richmond. He graduated from North Carolina A&T State University in 2011, and is currently the creative director for the nonprofit organization, Cnote Style. He volunteers each week in VisArts’ Marketing and Public Relations Department.

 

 


 

5 Ways to Turn Fashion into Art

by Allie Waller

As a Style Guru for College Fashionista (www.collegefashionista.com), I am constantly on the search for college students who wear their outfits like pieces of artwork.  Here are five fashionistas who I spotted this semester that show us how to turn simple accessories into unique masterpieces.

1. Accessories From Around The World      

Ava, a senior at James Madison University, loves wearing accessories from America to Vietnam and Thailand.  She bought this one-of-a-kind book bag in Vietnam, and is wearing an assortment of colorful bracelets from Thailand.

When you travel, keep an eye out for accessories that speak to you, and you’ll be able to create a truly eclectic look.

2. Bold Gold

Taylor, a sophomore at James Madison University, isn’t afraid to show off her hands and wrists with an array of gold jewelry.  Wherever you’re shopping, be on the lookout for watches, bangles, and unique rings.  Your hands and wrists are your greatest palette; so don’t be afraid to spice them up with bold jewelry.

3.  Thrifty Finds

Amanda, a junior at James Madison University, loves picking up unique pieces at thrift shops and yard sales. She shows us how someone’s trash can be another person’s treasure.  Take a day to shop around at thrift shops, and you’ll be able to create a truly unique look.

4. Color Combining

Summer, a sophomore at Virginia Commonwealth University, shows us that there’s no such thing as clashing colors anymore.  Don’t be afraid to pair bold colors with other bold colors.  Fill your closet with brights, neons, and pastels!

5.  Denim Diva

It’s official–denim has made a comeback!  Cassandra, a junior at James Madison University, shows us how easily denim can be turned from casual to chic with the addition of a few accessories.  Keep an eye out for denim shirts, vests, and accessories.

Think you have a knack for fashion? Why not make your own bag, knit your own accessories, or channel your artistic skills to make gorgeous items for you or your home!  VisArts has a ton of classes to help spark your creativity! Check out some of these classes or try your hand at making jewelry!

 

About the Blogger:
Allie is currently a sophomore at James Madison University majoring in Media Arts and Design with a minor in Communications.  She plans to get her masters in advertising and work in an advertising or public relations firm as an account manager or in strategic planning. Look for more from Allie as she interns at VisArts this summer. 

 

5 Must-Reads for Filmmakers

by Stacie Marshall

You don’t have to live in Hollywood or New York to be in the film business any more.  Our own River City, Richmond, VA, (or the RVA as we like to call it!) is lucky to have a vibrant and growing film community.  In recent years, Tom Hanks and Steven Spielberg have further put us on the map by filming their “little” projects here.  RVA film festivals such as The 48 Hour Film Project are open to anyone who wants to participate and could land the winner in front of a global audience in Cannes.

Here are five great reads about the film industry.  Feel free to leave your comments below and share your favorites that I’ve omitted.

1. The Man Who Heard Voices

This is an interesting read about a (then) successful filmmaker (The Sixth Sense, Signs) and  the film (train wreck?) he was working on at the time the book was written.  It’s also a great lesson for any artist about ego versus vision and the importance of having trusted folks who help hone your vision and keep it on track.

2. Adventures in the Screen Trade:  A Personal View of Hollywood and Screenwriting

This fascinating read is by William Goldman–the man responsible for writing some of the industry’s most perfect screenplays (Butch Cassidy and the Sundance Kid, All the President’s Men, The Princess Bride) and who is long-rumored to have ghost-written other Oscar winners, including Good Will Hunting.  His follow-up book, Which Lie Did I Tell? is equally good, and worth the read if only for the memorable first tale that opens the book.

3.  How Not to Write a Screenplay

Have you ever created something you thought was awesome until someone burst your bubble?  (Or you saw amazing work by another artist and you burst your own bubble?) Learning how not to do something is often just as helpful as learning how to do something. That’s why I liked this book.

To really understand the art of filmmaking, you have to first understand story.  A screenplay is, obviously, that story in written format.  However, a screenplay’s role is much more than just telling the story–it has to share the steps for HOW to tell the story that will be used by everyone involved in the picture.

Screenplays must follow a format and structure, and books like The Screenwriter’s BibleScreenwriting 434 and Save The Cat are great for this.  Once you’ve gotten the hang of the format (and have probably purchased Final Draft) you can move on to books by Christopher Keane to sell your masterpiece.

 4. Master Shots

Master Shots is a solid reference book for anyone wanting to learn how to film a scene.  It gives plenty of examples and diagrams and breaks it down nicely.  To learn to frame your shots, I’d recommend a good still photography course. (Like some of these.  Or these.)

If you’re really interested in learning to shoot big budget scenes on the cheap, check out Robert Rodriguez’ 10 Minute Film School segments on YouTube. Rodriguez has also written a book that’s on my must-read list for 2013, Rebel Without A Crew: Or How a 23-Year-Old Filmmaker with $7,000 Became a Hollywood Player.

5.  Bossypants

I’m always fascinated to learn more about artists, their processes and what makes them tick.  This book gives you that behind the scenes glimpse into the mind of Tina Fey (SNL, 30 Rock, Mean Girls), and it’s stinking funny.

 

 

 

 

 

Learn more about digital & photography classes, and writing workshops & classes at VisArts.


Stacie Marshall is the Marketing and Public Relations Manager at the Visual Arts Center of Richmond and a life-long learner in the arts.  She has studied with Tom Rolf (Oscar-winning editor, The Right Stuff), Russell Carpenter (Oscar-winning cinematographer, Titanic), and Mimi Edmunds (award-winning producer, 60-Minutes), and is currently having a blast learning to paint in Introduction to Acrylic Painting at VisArts.

5 Reasons to Volunteer at VisArts

with Emily Fox, VCU class of 2013

Over the last few months I have been volunteering some of my time to help around at VisArts.  Like all new experiences, volunteering here has taught me a few things about The Visual Arts Center of Richmond and volunteering.

Here are five things you might get out of volunteering at VisArts:

 1. Meet new people

At school or at work you’re generally surrounded by people like you, who have similar interests and similar motivators.  Volunteering at the Visual Arts Center of Richmond you get a chance to meet a diverse group of people who have had different experiences than you. Volunteering here has given me the chance to get to know people who I would not normally cross paths with. At Craft +Design Show I worked with a woman who was much older than I and had some stories to tell.  It was refreshing to talk to her and get a different perspective on daily observations.  Volunteering gave me the opportunity to learn something new from her and the other volunteers who, although being very different from each other, have all been driven to creativity and the want to help others be creative.

2. Help the Community

Volunteering at VisArts is a great reminder that it is a non-profit and a lot of things cannot be done without the help of volunteers.  For the most part all the work that I have done at VisArts has been in the background, in the office, but even though I am not directly working with the children in the outreach programs, I can see how my work is making a difference. It might just be office work but I can see how even a volunteer at VisArts becomes a part of the team working toward the end goal of giving children a safe place to express themselves.

3. Get to know VisArts

Volunteering at VisArts has given me a chance to really get to know the place and the people here and learn more about the good work they do for others in our community.  While volunteering at the Craft + Design Show, I was able to walk through the exhibits of artists from around the country and from right here in Richmond. I was able to see some of the amazing work from the VisArts’ instructors; a sampling of what they teach in their classes, and I was really inspired by their work.  Getting a taste of VisArts by volunteering at an event showed me what can be created here and has inspired me to take a class.

 4. Stay Busy

Every now and then I have some free time to spare, when relaxing I often feel that I could probably be doing something better with this free time.  Volunteering at VisArts is a great way for me to feel productive when I have some down time.  It keeps me busy but without all the stress that can come from school or work. It gives me a chance to think about something else other than school and a time to get to know new people; it’s a chance for me to feel productive where I know the help is needed.

5. Gain Experience

As a soon-to-be college graduate, I am often told that having ‘previous experience’ will really help out when entering the job market. Volunteering with VisArts to work on event flyers, the website and social media has given me the experience I need when applying to jobs in the future.

I recommend volunteering at VisArts to anyone wanting a fun, stress-free way to support your community and the arts while enjoying the company of a diverse group of people in a vibrant environment.

___________________________

 

Emily Fox is a senior at Virginia Commonwealth University studying Mass Communications with a concentration in Public Relations. She has been volunteering and interning at VisArts since September.

 

 

 

___________________________

Classes that Landed on Emily’s Bucket List

1. Introduction to black & white darkroom photography

2. Introduction to letterpress printing

3. Adobe photoshop, illustrator, and indesign- creative combination

Following a Creative Path

Profiles in Creativity: Kimberly Nario

Name: Kimberly Nario
Birthplace
: Virginia Beach, VA
Occupation:
Operations Manager at Gallery5
VisArts Class
: The Nuts and Bolts of Playwriting

Kimberly Nario grew up thinking she wanted to be an actress. But like many who attempt to follow the path of a performer, she discovered it was nothing like what she had hoped it would be. Unlike many who initially follow a mistaken path, she had the courage to alter her direction.

That’s just the type of woman Kimberly is. Assertive. Determined. Focused. For her, the answers come simply. Not happy with your neighborhood? Change it. Not happy with your major? Change it. Not happy with your job? Change it.

Yet through all the changes that have taken place in this Richmond resident’s life, there has been one constant: she’s always followed a creative path. And that imaginative spirit led her to the doors of the Visual Arts Center of Richmond (VisArts).

Can you tell us a little about where you grew up?
I was raised in Virginia Beach, but then I came to Virginia Commonwealth University (VCU) for college and I stayed here. I couldn’t see myself really growing in Virginia Beach. There’s a lot of history in Richmond and a lot more independence here. For four years, I lived in Jackson Ward, which is a historic neighborhood.

What was your concentration at VCU?
I studied theatre and started in acting, but I didn’t like where it was taking [me], so I got a Bachelor of Arts degree instead of a BFA. Acting was something that I always wanted to do, but when I started actually learning about it, I didn’t love it anymore. When you’re acting, I feel a lot of the time you are doing what someone tells you to do. I feel like writing comes from a more instinctual place for me.

So that’s where playwriting comes in?
Theatre VCU didn’t have any playwriting, and I had never taken classes previously. I’ve known a few people who worked at the Visual Arts Center, so I knew they had writing classes. When I was looking at the VisArts website, at the Adult Scholarships form [for financial assistance], I knew I had to at least try. I had switched jobs at the beginning of the year. I dropped half of my shifts at my old job, even though it was paying me more, to do something that I wanted to do.

What do you do now?
Well, when I first moved here, I went overboard with everything because it was completely new to me. But in my junior year, I started volunteering at Gallery5, and I’ve been here ever since. I’m the Operations Manager—which means I write people’s checks and sometimes clean the bathroom (laughs).

 So even at work, you’re writing. Can you tell us a little about the writing you do at VisArts?
I thought it was going to be a lot more formal, but it’s timed writing for 10 to 30 minutes. You write down what would make sense stage-wise—whatever comes out of your head. It’s very free-form—scenes, monologues. Afterward, each person reads what he or she has written and the rest of the class says what works and what they don’t understand. My instructor is great. He asks questions that we’re too shy to ask or haven’t thought of yet.

 Do you plan on continuing with writing after the class ends?
It’s something that I love to do. I want to start a play-reading series at Gallery 5—something where people can workshop new material or get help with something they’ve been working on for a while.

Anything else you’d like to add?
Creativity is just easier in Richmond. When I was younger, I didn’t have time to explore, but after living on my own here, it really affected me. That’s what VisArts and Richmond have given me—freedom to find the things I really love and the support to help those things grow.

 

A special “Thank You!” to West Cary Group for providing scholarship opportunities for VisArts students!  For more information about the Scholarship for Creativity, or to apply for a scholarship, visit the Adult Classes page of the VisArts website.

For more information about corporate partnerships with VisArts, please contact Jenna Mosman, Development Director, by phone at 804.353.4457 or via email at jennamosman@visarts.org.

Studio Glass Movement . . . from Factory to VisArts

Jude Schlotzhauer has a very storied relationship with the studio glass movement that traces its roots back to the very beginning with its founder, Harvey Littleton.

Schlotzhauer has been associated with VisArts for more than 30 years and has taught glass here for the better part of the last decade. As a student, she studied glasswork near the factory where Littleton would blow glass, and that community of artists all spent a lot of time together.   She came to know Littleton and his work. “Harvey was so friendly, open and inclusive—just a wonderful guy.  He was always interested in what the students were doing with glasswork,” said Schlotzhauer.

Littleton was born and raised in Corning, New York, the son of the physicist who developed Pyrex for Corning Glass Works. Littleton initially followed in his father’s footsteps, studying physics and industrial design, before he ultimately earned a Master of Fine Arts in ceramics from the Cranbrook Academy of Art. Littleton taught ceramics at the University of Wisconsin-Madison and later established the first studio glass curriculum in the United States.

“Harvey started with this one class, and he built a little furnace for it.  It was the first time anyone had taught glassworking outside of the factory.  It had been confined to the factory, and Harvey put it in the University setting,” said Schlotzhauer.  Many of Littleton’s first students in the glass program at Wisconsin—Dale Chihuly, Fritz Dreisbach, Sam Herman, Kent Ipsen, Marvin Lipofsky, Tom McGlauchlin, Christopher Ries, and Michael Taylor—became leaders in the studio glass movement, inspiring and educating the next generation of glassmakers across the country and around the world.

Dale Chihuly remembers making glass with Littleton, “Harvey had seminars for us every week and we learned so much about how the art world works and what it was like to be an artist.  Harvey encouraged us to do whatever we felt we needed to do.  The thing I appreciate about Harvey is that from the start, he was interested in making glass without molds and with as few tools as possible.”

Schlotzhauer received her MFA under the training of another of Littleton’s student, Kent Ipsen, who was a much-respected glass instructor at VCU for many years.  “Kent built a furnace behind the president’s house and started teaching a glass class.  His teaching methods were very similar to Harvey’s.  We built our own equipment.  We blew our own glass.  We experimented!  It was a very open, experimental environment,“ said Schlothauer. “All this affected me greatly, I have that same attitude. I am always pushing the boundaries, and I always encourage my students to do the same.”

Schlotzhauer’s student, Deborah Bass, can’t get enough of the experimenting.  She’s taken Schlotzhauer’s class at VisArts for more than five years and loves the versatility of the medium and how light intersects and plays off of it.  “The only limitation is your imagination,” Bass shared.

It’s fair to say that Littleton has inspired countless glass artists since he first brought glass out of the factory 50 years ago.  “He is without a doubt the father of the studio glass movement,” said Chihuly.

————————————-

Littleton’s work is in the collections of museums worldwide, including the Metropolitan Museum of Art, Museum of Modern Art, Corning Museum of Glass, Museum of Arts & Design, Smithsonian American Art Museum, and the Victoria and Albert Museum in London.

November 9 – January 21, Visual Arts Center of Richmond proudly presents work spanning five decades of Littleton’s momentous career. This exhibition celebrates the 50th anniversary of the American studio glass movement and Littleton’s remarkable legacy as one of the leading artistic innovators and visionary educators of the 20th century.

November 9, 6 – 9PM will be the opening reception for Harvey K. Littleton:  A Legacy in Glass.  Come see this fabulous exhibit!  VisArts Instructor Ryan Gothrup will be glassblowing in the courtyard.

Inspired by all the glass in town?  VisArts offers classes to quench your creative thirst!  Check them out at visarts.org!

 

5 Ways to Bring Creativity into the Workplace

with Ava Spece

Working through operational challenges creatively is vital to the health of any organization.  Each organization must be able to find creative solutions to unexpected loss of earned or contributed revenue.  The last few years have seen numerous organizations face difficult times under the pressure of maintaining existing business models; it is clear that those organizations surviving, are doing so by embracing creativity.  This is not the time to simply wait for things to blow over while maintaining a rigid playbook of anamorphic business practices.

Here are five ways to bring creativity into the workplace:

1. Seek the Third Answer

The “third answer” is one that does not readily present itself when trying to find a solution to any given problem.  It may be bizarre, unsafe, pretentious, or seemingly unrealistic, but it can be the right answer, or at the very least, lead us in an unexpected direction that may result in a workable solution.  Presenting third (and fourth, fifth, etc.) options at the conference table will not only ignite “out-of-the-box thinking,” but will also add depth of thought and perspective to options 1 and 2.

2. Question the Status Quo

Any standard operating procedure with which we are comfortable deserves questioning.  This doesn’t mean that the standard way of functioning won’t prevail, but any procedure that withstands scrutiny, becomes stronger.  Why are we doing this, this way?  Why was that method chosen as the solution?  What other options do we have?  Our understanding of the history of the organization is crucial, but one of the most damaging influences can be those who advocate solely for the good ‘ol days and ways.

3. Engage Stakeholders

The creative thinking and exploration that happens by probing the ideas of others is hugely important to the strength of any organization.  I have seen leaders who disregard the input of staff and conversely, I have seen leaders who spend far too much time “checking in” with everyone around them before making a decision.  Find a balance between the two extremes.  Remember, on the one hand, the workplace is not a democracy, but on the other hand, it is important not lose sight of the value of the collective intelligence.  Value the resources you have:  Staff—engage them on the journey to success; Board members—engage them in the mission and their governance; Community—engage them in finding ways to invest in the future of the organization.

4. Grow and Develop

Always insist that staff members grow and develop both intellectually and professionally.  Embrace their desire to learn more about what they and others do.  It has long been my philosophy that an organization is healthier if staff members have a desire to “sit in my chair” or a chair like it.  Staff members who are developing and learning are far more likely to find success on behalf of the organization (and themselves).

5. Be Creative with Numbers

Financial statements are a big puzzle and half the fun is sorting out where the numbers come from and what they tell us about our financial success.  Creatively engage staff in exploring those numbers (or more importantly the information that isn’t readily evident on a financial statement) and use that creative energy to consider new approaches and possibilities when needed.  Numbers do not need to be frightening, and are far less so if one can unearth the meaning behind them.   A staff member who knows how to watch and understand the numbers, will be far more invested in the health of the organization.

Any organization employing these creative tactics will substantially increase its ability to act in an organic, resilient, and vibrant way.  This approach will also inspire staff to own the mission of the organization.  As owners, they will think about the future success of the organization and participate in solution sleuthing rather than simply punching a time clock.  As a leader, one must give credit where credit is due in order for creativity to thrive: one of the sure-fire ways to squelch creativity is for a leader to take credit for the ingenuity, imagination, and initiative of his/her staff.

At VisArts, we are surrounded with the vibrancy of creativity.  It is wonderful to step into this animated world of imaginative thinking every day of the week.  Ironically, we are no different than any other workplace when it comes to operations.  There are systems, processes, procedures, and rules that help us feel in control and guide our business in a sound and productive way.  At the same time however, these systems that give us order can allow us to lose sight of the growth opportunities we may have at our fingertips.  Whether because of external or internal influences on the organization, when it is time to grow or change, it is imperative that the organization (a huge organism of staff, board, volunteers, community, and all stakeholders) encourages our ability to think creatively about our future as we push our mission forward.

___________________________

Ava Spece, President & CEO, Visual Arts Center of Richmond

Ava Spece joined VisArts in March 2012 as its President and Executive Officer.  Prior to coming to Richmond, Spece was executive director for seven years of the D.C. Youth Orchestra Program, which provides music instruction and performance opportunities for youth.

It Takes a Village

with Caroline Wright, Director of Exhibition Programming

Our exhibitions focus on innovative materials and processes—an appropriate mission for a gallery surrounded by studio classrooms where students learn many ways to make art.   This month massive weavings by Richmond artist Andrea Donnelly fill the True F. Luck Gallery, inspiring visitors of all ages. We’ve been planning for over a year to create the installation and educational materials for this exhibition (on view through Sunday, October 21).  Meet the team of local, creative talent that joined forces with me to present ANDREA DONNELLY: Where We Meet.

the artist

Andrea Donnelly is a 2010 graduate of VCU’s Craft/Material Studies (Fiber) department.  Her labor intensive process involves dying her fibers and hand painting patterns and images on the warp (perpendicular threads) before weaving the cloth.  In addition to exhibiting her work in our gallery, Andrea will also have a booth at our upcoming Craft+Design Show where she will sell luxurious handmade scarves she creates for her small business, Little Fool Textiles.   Learn more about Andrea’s work at andreadonnelly.com

 the filmmaker

Harrison Moenich, a recent VCU graduate, created the documentary film that accompanies this exhibition.  He shot the film in Andrea’s studio on Cary Street as she made two works for our exhibition. Watch the film here to learn more about Donnelly’s innovative approaches to weaving:

 Learn more about Harrison and his work at cargocollective.com/moenich

the photographer

David Hunter Hale, also a VCU graduate, photographed Donnelly in her studio over the summer months to capture in detail Donnelly’s extensive process.  His photographs (including the installation shot above) appear in the printed adult and youth gallery guides and press materials.  See more of David’s work at davidhunterhale.com

 

the designers

Scout Design created all of the print materials for this exhibition—the invitation, the gallery guide for adults, and the Engage guide for children.  Owners/designers Angeline Robertson and Charley Foley have transformed our gallery collateral over the past year.  Learn more about Scout Design at stateofscout.com/index-previous.html

 

the installation crew

Last week the VMFA posted on our Facebook page “this installation is dreamlike.”  We agree.  Robert Barrientes, our Exhibitions Manager, built a custom platform and hanging shelf for Peer, hanging equipment for The Veiling I, II, and III and Body Blot #3, and the curved ENGAGE hands-on station.  Donnelly spent weeks in the gallery hanging, sewing seams, and steaming the installation to perfection alongside the skilled and helpful hands of Colleen Freeman, Jordan Matthews, Emilie Mulcahey, Meg Roberts, and Nicki Stein.


image: Peer, 2012, handwoven cotton, dyed and painted with dye, 144” x 204”

As a community art center, we’re grateful for the community of artists who help us present educational exhibitions to the public.  As the gallery director, I’m grateful for this team I’m lucky to work with time and time again.  Stop by to see our collective effort. Visit ANDREA DONNELLY: Where We Meet before it closes on Sunday, October 21


VisArts’ True F. Luck Gallery is free to the public and open seven days a week: Monday – Friday from 9AM to 9PM, Saturday from 10AM – 4 PM and Sunday from 1PM – 4PM.   We offer educational opportunities through our gallery for adults and for children.  Learn more at visarts.org/exhibitions

5 Books to Motivate Artists

 

Jordan Roeder

by Jordan Roeder

I have a problem with buying and collecting books. Even if I only read them once or just like to look through them for ideas or if I use them for collages…I can’t get rid of them.  These are a few of my absolute favorites. Some get me inspired while some just get me feeling more motivated and ready to keep working.

 

 

 

 

1. Magical Secrets about Thinking Creatively by Kathan Brown

This amazing book released by Crown Pointe Press is great for printmakers but is surprisingly inspiring for artists working in any medium. Each chapter is devoted to a different idea to apply to your work and have titles like “Know What You Don’t Want” or “Use Every Tool”.  Every chapter presents an idea like this and ties it to a contemporary printmaker who used it in their work at Crown Point. I’ve read this book cover to cover at least 10 times.

 2. Modern Artists on Art: A collection of essays edited by Robert L. Herbert.

This is one of those classic books that some teachers make you read in college but it is really a fantastic book.  Each essay is written by an artist who was a major figure of their movement like Paul Klee and Wassily Kandinsky. Though it focuses solely on modern art, the ways in which each artist thinks about their craft and process is inspiring to me and gives me insight on my own work.

 

 

 

3. The Accidental Masterpiece: On the Art of Life and Vice Versa by Michael Kimmelman

This was an unexpected find. I found this book by chance at one of those discount book fairs and I can’t tell you how many times I have read it.  The book presents different non-fiction stories in each chapter about a non-traditional artist and their “work”.  These have fantastic titles like “The Art of Making Art Without Lifting a Finger” or “The Art of Collecting Light Bulbs”.  Some chapters tell stories about famous artists like Pierre Bonnard and the relationships with is wife Marthe who was also his muse for the duration of his career. Other chapters tell us stories of artists who would never label themselves as such: like the Antarctic explorer who photographed one of the most horrific of the early voyages to the South Pole. Each chapter leaves you feeling inspired to not just approach your work with new thoughtfulness but to attempt to do as these artists did and live your life as if it were your art.

4. ART/WORK: Everything You Need to Know (And Do) As You Pursue Your Art Career by Heather Darcy Bhandari & Jonathan Melber

I was given this book during college. I expected this to be either redundant or simply not useful but it was actually very helpful. It describes the various ways to connect yourself to your Art Community and how to present yourself professionally. Chapters cover everything from setting up a website to resumes to legal agreements.  Throughout the book art professionals and artists give bits of wisdom. A great book for somebody just starting out or in art school.

 5. Letters to a Young Poet by Rainer Maria Rilke

This is an oldie but a goodie. I was actually given this in high school by an amazing teacher who really pushed me as a student and artist. The letters within it are wonderfully articulate and personal and describe an unexpected (and very real) correspondence between Rilke and the “young poet”.  The relationship grows throughout the book and the discussions they have are a continuous inspiration to me. Even Rilke has admitted that this series of letters was one of his masterpieces.

 

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About the Artist

Originally from Minnesota, Jordan attended VCU where she received her B.F.A in painting and printmaking. Though her emphasis in college was in painting, her true love is printmaking, and her preferred medium is etching.

She continues to create work here in Richmond and has exhibited in local shows.  Most recently her work was a part of the Center for Contemporary Printmaking’s Miniature Print Biennial.

Currently Jordan is taking a VisArts letterpress class and setting up her studio at her new home in the museum district.  Jordan has been with the Visual Arts Center of Richmond since spring of this year.  You can find her at the front desk most afternoons registering students for classes and cheerfully assisting VisArts’ guests.     http://www.jordanroederart.com/

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VisArts Classes

Letterpress Greeting Cards

Students will explore letterpress and relief printing to develop their own greeting cards or stationery. Come to class with an idea of what text you would like to include in your card or stationery and we will explore layout, type setting and printing in this workshop.

2 Saturdays
October 27 & November 3
10:00 AM – 3:00 PM, each day

Learn more.

Letterpress Stationery and Salutations

Learn how to hand-set type and print on our Challenge Proofing Press. Combine text and image to design and create your customized stationery – cards, letterhead and more! You’ll learn the basics of letterpress printing including a tutorial of setting type, the general mechanics of the press, inking and printing on the press.

6 Thursdays
November 1 – December 13 (No class November 22)
6:30 – 9:00 PM

Learn more.