Bob Trotman to show at VisArts + State of the Art simultaneously

Bob Trotman, Invisible HandIn the past year Crystal Bridges Museum of American Art’s curatorial team has traveled more than 100,000 miles across the United States and visited more than 1,000 artists to find out what’s happening in American art today. After their year-long, cross-country journey, the curators have chosen 102 artists and 200 pieces of work to be a part of the exhibit State of the Art: Discovering American Art Now, which opens mid September. (To learn more about the rigorous and selective curatorial process for this art exhibit, read this New York Times story and this blog post.)

What does this exhibition mean for VisArts and Richmond?

One of State of the Art’s 102 chosen artists — Bob Trotman — will have a solo exhibition here at VisArts right as the Crystal Bridges exhibit opens in Bentonville, Arkansas. VisArts is honored to show the work of one of America’s top contemporary sculptors at a pivotal moment in his career.

About Bob Trotman’s exhibit at VisArts:

September 5, 2014 – October 31, 2014

Trotman creates sculptural installations that comment on corporate America through an ongoing series titled Business As Usual. Trotman states, “as a contemporary artist I am fascinated by a noir narrative of life at the office. My wooden people, often surprisingly posed, evoke both humor and anxiety and, taken together, offer an absurdist vision of an imaginary corporate purgatory.”

For decades Trotman has crafted life-size wooden sculptures, but his installation at VisArts will include new and ambitious studio experiments created specifically in response to the VisArts’ gallery space and exhibition opportunity. These experiments include kinetic sculpture, illuminated fiberglass and video. The exhibition will also feature a comprehensive selection of his terra cotta maquettes and preparatory drawings.

About State of the Art:

September 13, 2014 – January 19, 2015

•    The exhibition features 102 artists from across the country, selected for inclusion as a result of Crystal Bridges president Don Bacigalupi and assistant curator Chad Alligood’s travels and visits (mostly in person, some via Skype) with artists from every region of the U.S.

•    Works in the exhibition include photography, video, ceramics, action/interaction, glass, fiber, installation, paper, painting, and sculpture.

•    There are more than 200 total works in the exhibition

•    The exhibition will reach beyond the boundaries of the Museum’s temporary exhibition spaces, extending into the permanent collection galleries and activating public and community areas indoors and out. Gallery spaces will total 19,000 square feet.

Two of Bob Trotman’s sculptures, Journey and Shaker, will be included in the State of the Art. To learn more about the State of the Art exhibit, click here.

Volunteer Spotlight: Kate Martin

KateMartin_ArtVenture[1]This month we are recognizing our volunteer Kate Martin who has dedicated her time to helping us with our summer ArtVenture program. Thank you, Kate, for your hard work and awesome attitude!

Tell us your volunteer story. How did you end up becoming a VisArts volunteer?

While I was a teaching assistant at my alma mater, Appomattox Regional Governor’s School for the Arts and Technology, I took classes at VisArts and was invited to help with Summer 2013 ArtVenture. I loved it so much I returned this summer.


What do you enjoy most about volunteering at VisArts?

Although any job where you wear an apron may not appear glamorous, volunteering at VisArts is awesome; everyone at VisArts wants to be there. When I spend time in the classroom with the ArtVenture campers, it’s rewarding because they’re loving what they’re learning. It’s fun seeing their faces light up when they realize how much they’ve accomplished in five days.


Tell us a little about yourself. Where do you work, what do you enjoy doing in your spare time, where are we likely to find you after hours?

I’m a rising junior at Carnegie Mellon University (Pittsburgh, Penn.), majoring in Industrial Design. During the school year, I volunteer as a mentor for freshmen, offering advice like a big sister. This summer, I’m enrolled in a stained glass course at VisArts on Monday nights.

What would most people be surprised to learn about you?

Harp has been a part of my life since I began lessons in second grade. Once I discovered Celtic music, I signed up for competitions, placing a little higher in each one. Eventually, when I was in high school, Clan Currie awarded me the highest honor, “Harper of the Day,” at the Richmond Highland Games and Celtic Festival.

What accomplishment are you most proud of?

Near the end of spring semester, my poetry professor selected me to design covers for new and reissued books published by the Carnegie Mellon University Press during 2014-15. I’m looking forward to this challenge.

Could you share something funny or surprising that has happened to you while volunteering with us?

After finger-paint portraits, students in the Art Start course enjoyed lunch on the playground. The shyest, a 5-year-old boy, walked up to me and asked for my hand … in marriage.

 To see my portfolio, please view

Q+A with Lora Beldon on Creative Healing + Military Families

Family Portrait, Us_beldon[1]Interview by Emily Fox

Lora Beldon grew up in a career military family that was heavily influenced by the Vietnam War. As a family they traveled the globe. They moved to a new home almost every year. In high school her family moved but allowed her to stay and graduate with friends. She had Virginia residency at the time of graduation and so chose Virginia Commonwealth University for college. After graduation she worked for 1708 Gallery, started teaching and all the while working as an artist.  She is also an art curator, and co-curated the first traveling art show about military kids. With her current business Military Kid Art Project she writes, directs and teaches creative programming for venues that have military kids or want to learn about the military kid subculture. She recently had one of her S.T.E.A.M. programs selected by a Smithsonian affiliate.

Lora comes from a very creative family. Other than being a career Marine Corps Infantry officer, one of her father’s jobs within the military was writing.  He loved investigative writing and was a freelancer for a few magazines, and he used to take Lora on assignments with him.  Lora considers her mother a designer and a craftsperson.  Her mother was constantly working on her own projects at home. Since her family moved around often, as many military families do, her mother would place her in creative programs around the country like the programs at VisArts.  As shy child that  helped her not only fit in but thrive.

Lora will be giving a lecture on creative healing with military families here at VisArts on Wednesday, May 21 from 6 to 7 p.m. Before the lecture we wanted to check in with Lora to hear a little more about her work as an artist and her perspective growing up in a military family.

What inspired you to start the Military Kid Art Project?

9/11. I had a very physical, vigilant reaction when 9/11 happened. I was teaching kindergarten at the time. All I could think about was how all children everywhere would be affected for generations. I decided to act locally. I took a chance and contacted YMCA headquarters with a proposition to offer free art classes to military kids in Virginia. They loved my idea and offered free space as well as connections with volunteers who believed in my project. The response from the public was immediate and powerful.

Why are you coming to VisArts and giving this talk?

I have been studying the Military B.R.A.T. subculture for 15 years. There are 2 million children in active duty families and 15 million adult brats. They’re every age, race, religion, and socioeconomic class. Yet, they are still the invisible Americans.

Who do you hope to help with this talk?

I hope to celebrate and honor the service and sacrifice of military children of all ages. It is a chance to share my story, their stories, and connect with the community, in hopes of raising awareness of the Military Brat subculture and its lifelong impact on children.

How does art help people of all ages cope with grief?

Art encapsulates feelings and thoughts that are very hard to put into words. “A painting is worth a thousand words.” So true.

To learn more about Lora’s work watch this trailer from the documentary “Our Own Private Battlefield” or visit here website here. artfulapproach_militaryfamilies

Volunteer Spotlight with Samantha Rowley

Samantha RowleyWe are excited to start a new blog series where we spotlight VisArts’ volunteers who have generously given their time and love to our outreach and education programs. This month’s special volunteer is Samantha Rowley who has been helping out with Studio S, our outreach programs that is geared toward keeping Richmond’s senior citizens’ minds and dexterity sharp through hands-on art projects.

Thank you Samantha for your help here at VisArts!

Where are you from originally? If you’re not a local, what brought you to Richmond?

I grew up in Culpeper, Virginia, but have previously lived in Yorktown where my husband grew up. We moved to Richmond to live halfway between both our families as we start one ourselves.

What do you enjoy most about volunteering at VisArts?

Art is my passion, so any opportunity to be involved in art and helping others love it too is what I enjoy most about volunteering at VisArts.

Are you an artist or a maker? If so, what do you like to make?

While I’m not a professional artist, I’m one at heart. I enjoy creating oil paintings and giving them away as gifts to friends and family.

Tell us a little about yourself! (Where do you work? What do you enjoy doing in your spare time?)

I’m all over the place volunteering right now. In my spare time I enjoy cooking and being outdoors doing things such as hiking or kayaking.

What accomplishment are you most proud of?

My biggest accomplishment that I’m most proud of is finding happiness in my life.

To learn more about VisArts’ volunteer opportunities, click here or contact our education + volunteer coordinator Nicki Stein at nickistein [at] visarts [dot] org.

“Big and little” storytelling workshop

outreachwritingVillage Presbyterian Friendship Café seniors and Binford Middle School sixth-graders participated in our four-day intensive storytelling workshop. “Big and little” pairs worked together to learn about creative writing, drawing, photography and movie-making. Special thanks to YMCA’s Growing Younger Program, Senior Connections and our giving VisArts teachers! (Photos by Briget Ganske)


Susie Ganch: TIED in Artforum

_MG_3885If you didn’t hear our social media broadcasts last week, we had some big news here at VisArts. Our current exhibit Susie Ganch: TIED is featured as a Critic’s Pick for Artforum. Congratulations, Susie! What an honor it is to have your work in our gallery. Read the article here, and be sure to stop by and see the exhibit yourself. Susie Ganch: TIED will be on display in VisArts’ True F. Luck Gallery through June.

_MG_3891_MG_3908_MG_4045_MG_4072_MG_4031Photos by David Hunter Hale. Learn more about Susie Ganch: TIED here.

Paul DiPasquale’s Jimmy Dean bronze sculpture

jimmydeanstatueJimmy Dean’s widow Donna Meade poses with Paul DiPasquale’s 7-foot bronze statue of the sausage king.

Talented sculptor Paul DiPasquale created this 7-foot bronze statue of sausage king Jimmy Dean, which will be unveiled at the Jimmy Dean Music Festival Sunday, May 11 at 1 p.m. The unveiling will take place in the lobby of the Grand Ballroom at the Richmond Downtown Marriott on East Broad and Third streets.

There is no charge to attend the unveiling ceremony at 1 p.m. The statue will be shipped the next day where it will be installed at the Jimmy Dean Museum in his hometown of Plainview, Texas.

The festival kicks off at 2 p.m. and stars Country Music Hall of Famer Bill Anderson, Donna Meade (Dean’s widow), Lynne Carnes, Brad Spivey and the Honky Tonk Experience. Tickets are $35 and can be purchased here.

Read more on Paul, the statue and music festival in this Richmond Times-Dispatch story.